Friday, October 28, 2011

Seferian-Grave of the Fireflies

This week in class we watched Grave of the Fireflies, a film about two orphaned children who are trying to survive in japan in the last year of WWII. The plot follows the struggles of 14-year-old Seita and his sister Setsuko who is only 4 years of age. This film is very powerfully and hart retching to say the least. It seems that Seita and Setsuko’s situation goes from bad to worst. This film is not just emotionally moving, but powerful and brings up a lot of important points. In class we discussed how when regarding to WWII Japan views it self as being victimized because they were the only country in witch an atomic bomb was dropped. We also discussed how in Japanese culture and the Shinto faith, they emphasize how life isn’t always fair. Grave of the Fireflies brings up both these points. In the film it is easy for the viewer to feel that the Japanese people are the victims of cruel relentless bombing during the later part of the war. It is also very clear that despite the tragic events that befall Seita and his sister Setsuko, that it is all in vane because in the beginning of the film we see that the have already passed on. This makes the movie even more powerful and sad because we know that the story doesn’t end well. This was a really great film. Personally I loved it even though it made me feel tremendously depressed. The animation was great, the music was great, and the story was moving. It is not surprising that Grave of the Fireflies was a book before it was a film.  Such deep characters and themes are an important part of literature. I feel  that its adaption to a animation just made it more powerful. 

Friday, October 21, 2011

Seferian-The Harp of Burma


This week we watched The Harp of Burma, a story about brotherhood during a time of war based off of a classic Japanese novel. I really enjoyed this viewing despite length and how old the film was. From a animation sand point a Harp of Burma wasn’t very visually spectacular, but the story was deep and emotional and that made up for the lacing visuals. After being separated from his comrades during WWII, Mizushima is trying to make his way back to his battalion when he comes across fallen Japanese solders who where never bared and were left to rot in the elements. Overwhelmed by the horror and grief of seeing his fallen comrades so disrespectfully left behind, he sets out to give them proper send offs. We also read chapter six this week in class. In the chapter it discussed how life is amoral and doesn’t always treat good people the right way. The chapter also discussed honor and how the right thing to do isn’t always the best chose for you.  Mizushima douse the honorable thing despite the repercussions and dedicates his life to helping the left behind and forgotten solders. While watching the film it is clear that the captain blames him self for sending Mizushima in his place to explain to the other Japanese solders that the war was over. What is interesting about this is that in western culture it wouldn’t be the officer’s responsibility. If the commanding officer gave a order then you would follow end of story. In eastern culture, the captain was responsible for his men and giving the burden of sending the message. This difference is what makes this film interesting to western viewers. From a western stand point the officer shouldn’t feel bad about sending one of the lower level solders to deliver messages.  

Friday, October 14, 2011

Seferian -Ghost in a Shell


The loss of identity seems to be a recurring theme in many anime films. We have seen it in Akira and Perfect Blue, while in some of the other films peoples identity’s are different then what we expected. This week we watched Ghost in a Shell, a high suspense action and Sci-Fi thriller that deals with some of the most common question asked by humanity: Why am I here? Where did I come from? Where do I go after I die? Unlike other animes we have watched, the themes in Ghost in a Shell are not subtle but very prominent. The whole plot is driven by cyborg Motoko Kusanagi’s desire for answers. Most of the “Major’s” body is mechanized, which allows her to perform super human feats. The Major works for Section 9, a crime deviation that specializes in fighting technology. In the film Section 9 is after a virus/program called the puppet master.

There are many scenes in the film where The Major finds herself asking the same questions as every human does. In many ways this movie is also a question of what makes up a human. Even though The Major is basically a robot, she has a ghost, which is somewhat similar to a soul as far, as I can tell. The movie was very hard to follow at some points, but I did enjoy it over all. There was a fair bit of action, but a great deal more talking then anything else. I am not saying that this took away from the story, but made it feel a little slow at times. This film also shows a future where it is very easy to loose one’s identity because every one is so plugged in to their virtual worlds, as in one point of the film the puppet master actually implants memories into some ones mind. 

Friday, October 7, 2011

Seferian- Vampires and westerns


Vampire Hunter D in a lot of ways is very reminiscent of the romanticized west that you see in old films. The way D enters the movie and purges the area of evil is very much like old western films such as Sagecoach or Hang Em High. I enjoyed this movie but found the animation to be very dated. I know that this film came out in 1985 and that they didn’t have, as much money as Akira, but this wasn’t as Visually pleasing as I would have liked it to be. We also discussed earlier in the week the difference between a film and a movie. Vampire Hunter D being a movie did a good job of providing action and entertainment. It is interesting how vampiers were depicted back in 1985, people depict vampires as being super handsome and loveable due to the hit book and movie sires Twilight. Count Mangus Lee is nothing like Edward from twilight. in fact he resembles more of a demon than anything else. This brings up the question of how we got from demon looking lord of darkness hot smoking hot and very pale Edward of the Twilight saga. Also it seems that the values that Vampires hold are much different in twilight as apposed to Vampire Hunter D. Like in old westerns D seems to be the last good man/vampire on the planet. Even the other humans are corrupt. This is not the only western aspect of this movie. The scenery is very barren and dark at least until D slays the Count. It is also interesting that Dracula is depicted as the good guy in this film as apposed to the traditional bad guy. The movie was over all good, it had a lot of cool action but kind of a weak plot. they should really make a vampire western, now that would be cool.